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  • MAGGIE CHAMBERS
  • Home
  • Artists
    • Gallery Artists
  • Member Artist Exhibit
    • Harriet Sobie Goldstein 2023
    • Scott Wixon 2023
    • Archive Member Exhibits >
      • beth cartland 2023
      • Joseph O’Neill 2022
      • Gretl Bauer 2022
      • Scott Wixon 2022
      • beth cartland 2021
      • Christa Toole 2021
      • Joseph O’Neill 2021
      • William C Butcher 2021
      • Gretl Bauer 2021
      • Guna S. Mundheim 2021
      • Laura Sussman-Randall 2021
      • Avilmar Maia 2021
      • Harriet Sobie Goldstein 2020
      • beth cartland 2020
      • Laura Westby 2020
      • Christa Toole 2020
      • Joseph O’Neill 2020
      • William C Butcher 2020
      • Gretl Bauer 2020
      • Harriet Sobie Goldstein 2020
      • Avilmar Maia 2019 >
        • Archive Invitational Exhibits >
          • Raktimava Ghosh Dastidar
          • Helene Ruiz
          • Vian Borchert
          • Sally Brown
          • Rachel Yurkovich
          • Antoine Janot
          • Jordan Merlino
          • Jinson Joseph
          • Lisa DeLoria Weinblatt >
            • Samantha Dominik
          • J.P. Snyder
          • J. Leigh Garcia
          • Tai Lipan
          • Azzah Sultan
          • Maryamsadat Amirvaghefi
          • Michael Marks
          • Philip Krejcarek
          • Abigail Kyros
          • Sheena Bajaria
          • bill davis
          • Sarah Jentsch
          • ZAKRIYA RABANI
          • Stephanie Garon
          • Zac Benson
          • Exhibition archives >
            • Past Interviews >
              • Gretchen Beck
              • Sherry Muyuan He
              • Guna S. Mundheim
              • William Culpepper
              • Oaklee Thiele >
                • Mayuko Ono Gray
                • Jessica Burke
              • O'Delle Abney >
                • Amy Guidry >
                  • Mana Mehrabian
                  • Marsha Heller
              • Andre Rubin
              • Ellis Angel
              • Cecilia Martinez >
                • Steven Bleicher
              • Kathleen Deep
              • Artem Ryskin
              • Patti-Anne Grabel >
                • Guglielmo Botter​
              • ​Jave Yoshimoto
              • Stephie Kate
              • Samantha Parker Salazar
              • Resa Blatman
              • Matthew Gualco
              • Mario Loprete
              • keith buswell
              • Joan Bell
              • Paul Hunter
              • Xiaojie Liu
              • Chris Perry
            • Archive
            • Past Member Exhibitions
          • David Boskovich
          • Hanna Vogel
          • Alice Stoler 1
          • Wendy Foster >
            • Rhonda Massel Donovan
          • Avilmar Maia
          • Julia Sebastian & Christy Wittmer
          • Oaklee Thiele
          • Tony Moore
          • BARBARA RACHKO
          • Jackie Lipton
          • Leah Naxon
          • Andrew Phillips
          • Jeff Schmuki
          • Kevin Schumacher
          • Rob Millard-Mendez
          • Kelly Boehmer
          • Nicole Patrice Dul
          • Alice Stoler
      • Marsha Heller 2019
      • Laura Westby
      • Dongze Huo 2019
      • Joseph O’Neill 2019
      • beth cartland 2019
      • William C Butcher 2019
      • Scott Wixon 2019
      • Gretl Bauer 2019
      • Harriet Sobie Goldstein
      • Gretl Bauer
      • Laura Sussman-Randall 2
      • Avilmar Maia 1
      • Harriet Sobie Goldstein 2
      • Joseph O’Neill
      • Dongze Huo
      • beth cartland
      • Pamela Flynn
      • William C Butcher
      • Scott Wixon
      • Pamela Bennett Ader
      • Avilmar Maia
      • Christa Toole
  • News
    • Artist
    • Collective
  • APPLY FOR INVITATIONAL ON LINE EXHIBIT
  • Contact
  • Invitational Exhibit
    • MAGGIE CHAMBERS
    • Sarah Nguyen
    • Vian Borchert
    • Gina Petrecca
    • Seth D. Ellison
    • Brian McSherry
    • Marshall Sharpe
    • Marilyn J. Fox
    • Maryam Khaleghi Yazdi
    • Theodore Heubein
    • Zac Benson >
      • Lorna Ritz >
        • Melody Croft >
          • Charvis Harrell
    • Marsha Heller
    • ARTIST INTERVIEWS >
      • Elaine Fleck
    • ANDREW LEVENTIS
    • Christine Olmstead
  • Schedules: exhibits and Interview
    • Member Exhibition Schedule
    • Invitational Exhibition Schedule
    • Interview Schedule
  • MAGGIE CHAMBERS

Laura Westby
"Reverse Fields"


My paintings are architectonic in presentation and manner.  In concept they deal with landscape in an inertial existence dealing with volume, color and form.  All the components of the painting are conceived to elicit an emotional response along with a spatial relativity.
The sketch to the right is a big part of my process.  ‘‘I want the public to be surprised when they visit the Phoenix Gallery with the final results."   
www.laurawestby.com





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Elise Ansel

I make paintings that are derived from historical art. My work is about reclaiming, re-visioning and re-presenting paintings that were created at a time when women were seen as objects rather than equal participants in the creative dialog. The paintings I work after are distant mirrors which I interpret through the lens of contemporary practice. I use painterly notation and shorthand to translate Old Master imagery into a contemporary pictorial language. My paintings begin with a specific pictorial point of departure but then move towards abstraction as the representational content is transformed and ultimately eclipsed by focus upon color, composition and the materiality of the paint. Linear, rational readings are interrupted. The historical paintings I work from become structures on which to hang paint; the soundness of these structures capacitates great improvisational freedom. The real subject becomes the substance and surface of oil paint, the variety of its applications, and the ways in which it can be used to celebrate life.   
 
In the large scale digital prints, I add another link to the chain of transcription by using a flatbed scanner and a digital printer to enlarge my small paintings into an almost cinematic scale. The works in this series are, in effect, large prints of small paintings of digital reproductions of large paintings. Here, the complex play of scale and spatial depth broadens forms that could once be decoded as representational into something more expansively atmospheric, like abstract memories of a half forgotten dream.
 
In the Selective Focus series, I push this idea one step further by using photography's tools, in this case cropping and enlargement, in the service of ever greater degrees of abstraction. The dialogue between painting and photography has often centered on painters’ use of the tools of photography in the service of ever greater degrees of "realism.” This is evident in the work photorealist painters and also in the paintings of artists such as Vermeer and Caravaggio who used lenses to help them make their extraordinarily lucid and presciently cinematic paintings of moments frozen in time. Whereas historical painters used lens-based technologies in the service of a deeply human depiction of beauty and “realism,” lens-based technologies in our time, certainly as they are used in advertising, fashion and various print media, have often been used to damaging effect by presenting a distorted and photo shopped image as uniquely objective and real.  By holding up an “idealized” standard of beauty that is impossible to meet, this type of photography has been used in a destructive way.  The digital prints in this exhibition represent the search for a constructive way to reclaim the tools of photography by using them in an opposite direction and in the service of a different vision and an “other” conceptualization of beauty or quality. My work has involved the use of photographic and digital reproductions all along but this current series now more explicitly acknowledges the extent to which the photographic apparatus mediates the way I see and think and make my work.
 www.eliseansel.com      
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Joseph G. Brown

As a result of being initially trained as a potter both in Minnesota and in England, “function” has always played a major role in my work. As I have matured, I have begun to develop an expanded definition of the meaning of “function”. I now seek “function” in all forms of art be it sculpture, painting, writing, music or pottery. “Function” is more than being useful to hold objects, rather, it encompasses the spiritual, the emotional, the symbolic message that must be conveyed for it to “work” as a piece of art.  For a piece of art to “function,” it must serve more than merely a utilitarian purpose, more importantly, it must also serve the spirit, the soul, the mind. This is what I seek in my own work.
The last few years, I have been painting on wood with acrylic and pastels. The paintings are figurative with a strong visual reference to social injustices.

Joseph G. Brown lives and works in Saint Paul, Minnesota. His work has been in clay, bronze, latex and painting. Brown studied at the University of Minnesota and in England. His work is represented at the Weisman Museum in Minneapolis, Minnesota and the Everson Museum in Syracuse, New York, among other venues along with a presence in many private collections.
 

                    
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